I have been going not stop as of lately but I’m glad I took 5min out to watch this beautiful animation that Jenn brought to my attention. It’s part of the StoryCorps movement (something I did years back in NYC, there’s a permeant booth there and it’s free to share a story(ies), if you’re in the NYC area get on it, such an amazing project).
“Danny & Annie” is one of the most beautiful things I have watched as of lately and I strongly recommend it. You’ll probably want to grab a kleenex because it’s pretty moving but if you have 5min… do listen.
I’m Back! And again I’ve been working with Daylight Magazine to create a media segment for Nick Hannes titled “Red Journey” and features a selection of his images.
The project itself is massive undertaking. It spans a tremendous amount of physical space and covers a multitude of cultural issues. I feel it’s a extremely strong project and presents an important story. It was an again an honor to work with Daylight Magazine and Nick Hannes.
Belgian photographer Nick Hannes spent a year travelling through the fifteen former Soviet republics in search of traces of the past and signs of social transition. Red Journey uncovers the various ways in which former Soviet countries are trying to redefine their national identity after the disintegration of the communist imperium. Hannes shows a region of contrasts by photographing extreme wealth amid heart-rending poverty, unrestrained urban renewal that makes deprived neighbourhoods all the more visible, new dictator’s gilt cult images in a decor of faded glory.
Daylight Magazine presents "Red Journey" by Nick Hannes
I think it turned out great and I was happy to hear that it has been received well.
Again, like the last segment, I’m credited in the segment as “Multimedia Producer” and by movie credit standards I’m not acting as a producer. Yes, I am “producing it” and “actually making it” (sequencing it, adjusting everything that is associated with editing) but by movie, television standards I’m the producer but rather the editor. It’s an odd choice of words here but I am not the director (also in reference to it’s traditional definition, and also not used in it’s most traditional form the credits, again, odd I know…). At the end of the day, I’m not in charge about how to word the credits. But I did edit this and I just wanted to note that. Also, I wanted to note that Dave Runyan was the audio engineer on the interview. I was given really rough interview audio and the fist thing I thought was, “this is unusable and needs to be worked over…” and without question thought of Dave. He’s top notch when it comes to audio so I went to him.
Also, I should say that I’ve been a terrible blogger as of lately but things have been insanely busy for me. Hopefully new posts and fun things will follow.
Many of you know I have a long history of editing and composing segments for various purposes but I hold a deep respect for Daylight Magazine and it’s great pleasure to create media for them. For the last week or so I have been working with Daylight magazine, and indirectly with Will Steacy, to put together a media segment. Will is having a show at the Michael Mazzeo Gallery in New York City and the segment I recently edited is now live on the Daylight Magazine Multimedia podcast page. It’s also going to be shown at the opening reception for the Michael Mazzeo Gallery.
I find Will’s work to be both powerful and meaningful. His photographs have an intensity that resonates though their story. His images also bring to light a national discussion about how our urban environments are evolving.
From the Daylight page:
In “Down These Mean Streets” Will Steacy wanders through battered urban areas with a wrench in his back pocket. Barney Kulok and Paul Graham come to mind when looking through these images of abandoned buildings, burned-out cars, neon signs and local residents. The city glows, strangely beautiful but vaguely threatening, as a picture of urbanity and its attendant vices – it is not a forgiving portrait. This podcast produced in conjunction with the Michael Mazzeo Gallery for Steacy’s show on view June 10 – July 23rd 2010. Read an exclusive, in-depth piece about “Down These Mean Streets” at Conscientious Extended.
And you can also see the segment by clicking on the image below:
Daylight Magazine presents "Down These Mean Streets" by Will Steacy
That’s it for now. We’ll see what makes it up later this week. Make sure you hit some of those links or watch the segment and if you’re in NYC you should go to the show because I imagine that the images are pretty amazing in person. If given the opportunity, I’d check it out. Hopefully I’ll get that chance.
Also, on a side note, I’m credited in the segment as “Multimedia Producer” and by movie credit standards I’m not acting as a producer. Yes, I am “producing it” and “actually making it” (sequencing it, adjusting everything that is associated with editing) but by movie, television standards I’m the producer but rather the editor. It’s an odd choice of words here but I am not the director (also in reference to it’s traditional definition, and also not used in the credits, again, odd I know…) thus, I’m not in charge about how to word the credits. But I did edit this and I just wanted to note that. Also, I wanted to note that Dave Runyan was the audio engineer on the interview. I was given really rough interview audio and the fist thing I thought was, “this is unusable and needs to be worked over…” and without question thought of Dave. He’s top notch when it comes to audio so I went to him.
So I haven’t posted anything in weeks…maybe it’s because I needed an unannounced impromptu vacation from blogging or maybe because I’ve been a bit more busy that I had expected. In either case, I’ve been inspired and I’m back in action.
What inspired me? Ah, good question. I’m glad you asked. Check this stuff out and stay tuned for some odds and ends to come this coming week….
It feels like it’s taken forever to get these images up on the ole’ blog but I’m glad they are now up for the world to see. I also have to send out a huge thanks to Laith and CAVE for making the show possible. It was a great turnout and everyone I met was totally into the work. These are some of the shots I grabbed of my work, Laith’s and CAVE in general while walking around. If you were there and had any thoughts on the show send em’ my way, I’d be interested to see what you thought. Anyway, if you happened to make it out, thanks for coming and again, thanks Laith and CAVE for a great show. It’s up until the 15th so if your in the area stop by and check it out.
So I’ve been busy all week with the upcoming show “Duo.” If you’re in the detroit area make sure you check it out! Info below…
Duo
The Details:
DUO
Nate Abramowski and Laith Karmo
Cave is pleased to present DUO, a two person exhibition with Nate Abramowski and Laith Karmo, on Friday April 30th 2010. The opening reception will be from 7-11pm and the show will be up through May 15th.
In bringing these two artists together, DUO traverses time, the history of man, and the displacement of preconceptions and stereotypes. As both explore moments of reflection- exposing the imaginative and revealing vulnerability- confronting and navigating these relationships presents itself in fresh form.
Nate Abramowski received his Bachelors of Science in Film production and Bachelor of Science in photography from Grand Valley State University in Allendale, Michigan and a Masters of Fine Art in photography from Savannah College of Art and Design in Savannah, Georgia. Nate is currently working in Chicago as a photographer and editor.
Laith Karmo received a Bachelors of Fine Art from the College for Creative Studies in Detroit, Michigan, and a Masters of Fine Art from Cranbrook Academy of Art in Bloomfield Hills, Michigan. He has taught at Wayne State University in Detroit and is currently teaching at Oakland Community College in Auburn Hills Michigan.
Another quick one seening this is a pretty “action packed” Friday but there’s at least a minute for a little musical distraction. This Friday it’s Letting Up Despite Great Faults “Our Younger Noise“. Now, you’d think after all my “tweets“ about the National I’d post something by them, but(!) they don’t have video yet (for their new release, High Violet)…. so I thought I’d just hang back one more week to see if somthing srufaces.
Besides, there is this lovely video by Christopher j Ewing (part of wested potential productions). I totally dig it. It’s playfulness really matches the video. I was turned on to Letting Up Despite Great Faults awhile ago by some blog I can’t remember but I’m glad that I’ve been loosly following them because this song + video is a gem.
So last year at the 46th Annual Society for Photographic Education National Conference in Dallas, Texas – the Texas Woman’s University was putting together a book that called Booth 55. The book tackles the question, “How has your photographic education impacted the way you see the world in relation to the arts?”
It apparently, “…book began with a vision to bring photography students together, each with a unique voice, to capture and express diverse viewpoints from universities throughout the United States…”
Which is a pretty cool idea in itself. The “Published” title of this post originates from the fact that I popped into Booth 55 to jot down my quote and have my head shot taken. Now that same quote (which I can’t remember what I said) appears with the head shot in the Blurb, Booth 55 book website.
And, the book is arranged alphabetically – yours truly has an “Ab” last name so I lead the book with my quote and serious stare. Neat. If you remember stopping by Booth 55 you might want to check out the book on Blurb.
Lets just start off with a little Happy Friday to everyone. I know I’ve already posted on Blaudzun before but it seemed like whenever i headed for iTunes this week, I’ve gone straight for Blaudzun.
And with a quick google search I found a video that missed last time around. Hence this second post on Blaudzun. Plus, this happens to be my blog and last time I checked I didn’t have a rule that stated I can only post music once. That’s good. Anyway, check it out if your a fan. I totally am.
Sadly this is a quick one today seeing I have some things to do but whatever you’re up to this weekend…be safe out there.
